Stravinsky ballet dating from 1911

Three colorful works of his young manhood--"L' Oiseau de Feu" ("The Firebird"), "Petrushka" and "Le Sacre du Printemps" ("The Rite of Spring")--were generally admitted to be masterpieces.

But about his conversion to the austerities of neoclassicism in the nineteen-twenties, and his even more startling conversion to a cryptic serial style in the nineteen-fifties, there was critical disagreement.

To some, his later works were thin and bloodless; to others, they showed a mastery only hinted at in the vivid early pieces.

He has left us the treasures of his genius, which will live with us forever.The New York City Opera dedicated last night's performance of "Don Rodrigo" to the composer.With Stravinsky at his bedside were his wife, Vera; his musical assistant and close friend, Robert Craft; Lillian Libman, his personal manager, and his nurse, Rita Christiansen. Craft, according to Miss Libman, was too shaken by the death to speak to callers, but wished it known that he had "lost the dearest friend he ever had." Mr.The cosmopolitan musician, she said, had moved around the world so much--Russia, Paris, Hollywood, New York--that his yearning for a home had been strong.Was Composing Recently Stravinsky knew his friends to the last, according to Miss Libman.

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Between the early pieces, written under the eye of his only teacher, Nikolai Rimsky- Korsakov, and the compositions of Stravinsky's old age, there were more than 100 works: symphonies, concertos, chamber pieces, songs, piano sonatas, operas and, above all, ballets. As early as 1913, Claude Debussy was praising Stravinsky for having "enlarged the boundaries of the permissible" in music.

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