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I study with the birds, flowers, God, and myself.’ Religious music makes up a relatively small part of Dvořák’s œuvre, but its quality should not be underestimated.

Dvořák composed his great for a quartet of soloists, chorus, and orchestra in 1890, at the beginning of his important late creative period.

On the first Friday afternoon, we will attempt a spontaneous roundtable discussion between the moderators to talk about why we chose this theme and to open up what we think may be crucial about it.

Friday Evening Friday evening is free for participants to enjoy the City.Presenters might be implicitly criticised by some at this point or defended by others, as though the analysts were extremely fragile.Clearly, when threats are in the atmosphere, doors get closed as ways of thinking about them, their origin and the alternative ways they might be dealt with, all become hard.Pain seems to be around a lot in current discourse.Some psychoanalysts and their institutions are experiencing profound existential pain: at the institutional level, some think psychoanalysis is endangered because modern economic, social and emotional pressures are creating patients who do not fit classical descriptions so that practice and training needs to be much less “rigid”.

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We found ourselves thinking about how our patient’s most difficult early experiences (and the ways they are held back by how they survived in response to them) get into the sessions.

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